Destiny is unconscious. Images are the unconscious of the visible.
MANIFESTO
Photography once promised truth.
It now manufactures reality.
My work enters this fracture.
Across five conceptual cycles, I examine the unstable territory where body, the wounds of education, memory, and algorithmic image production collide. The photographic image becomes a site of resistance: against spectacle, against the domestication of the body, against the industrialization of vision.
Working between argentique photography, digital construction, and AI-generated image systems, I investigate how contemporary image technologies reshape identity and desire.
The figure that appears throughout these works is not a model, nor a character. It is a persistent apparition—a body carrying the traces of anorexia, silence, fetishization, and psychic survival.
This practice does not illustrate trauma. It interrogates the regimes of seeing that produce it.
Photography, here, becomes both evidence and disturbance.