Déconstruction du cadre / Deconstruction of the Frame (1996–2007)
This cycle marks a stage of reflection on the formal structures of the photographic image. Here Alice Odilon examines the role of the frame and the limits it imposes on perception.
Through various visual experiments, the work questions how the frame organizes visibility and determines the conditions under which forms appear within the image. Photography becomes a terrain for analyzing the mechanisms that structure vision.
The images explore fragmentation, shifts in the gaze, and tensions between presence and absence. They reveal how the photographic image constructs a perceptual space where meaning and interpretation are negotiated.
This cycle continues the investigation of photography as a critical apparatus capable of exposing the invisible structures of representation.
