In Under Instruction, I used photographic projection to stage the body as a site of inscription rather than expression.
Historical images, pedagogical diagrams, and intimate iconography are projected onto the artist’s own body, producing a surface where authority, inheritance, and surveillance operate without physical contact.
The work resists autobiographical confession in favor of structural exposure: the body appears not as identity but as medium, bearing the traces of instruction, protection, and constraint.
Through restraint and repetition, the series examines how obedience is learned, internalized, and misrecognized as safety.
