Foundations and Training
My practice is rooted in photography and conceptual image-making, shaped by formal training at the Beaux-Arts and a lifelong dialogue with the history of art.
Hybrid Methodology
I work with a hybrid artistic process, in which algorithmic tools are strictly subordinated to the artist’s vision. Artificial intelligence is not a generator of meaning, authorship, or narrative. It functions solely as a technical enhancer, integrated within a precise, artist-controlled protocol.
Human Origin and References
The origin of each image is human: memory, lived experience, the unconscious, trauma, desire, and a visual culture formed through painting, classical masterpieces, and experimental photography. These references are not copied or simulated; they are absorbed, transformed, and displaced.
Resistance to Automation
My work does not rely on stylistic cloning, automated aesthetics, or database-driven imitation. It resists standardization and challenges the visual conventions already emerging within AI-generated imagery.
Authorship and Certification
Each artwork is produced as a unique piece, accompanied by a certificate of authenticity and intellectual property, clearly stating the nature of the hybrid process and the artist’s full authorship.
Materials and Conservation
Prints are realized on Hahnemühle paper, chosen for its material depth, tonal precision, and archival quality. Alternative professional supports may be discussed upon request, according to museum and conservation standards.
Collectors and Critical Positioning
Collectors do not acquire a technological artifact, but an authored artwork, situated within a critical, feminist, and historical continuum of image-making.