At first glance, these portraits of apparently passive vintage women conform to the conventions of 19th-century femininity: composed, still, framed as if ornamental. Their gazes do not seduce like pin-ups, nor do they promise the docile sweetness of the bourgeois salon. They are, on the surface, the embodiment of restraint ...

In L'Incertitude des Genres, I situate the body as a site of both fragility and defiance. These images, taken in the dim solitude of the forest, present figures that resist binary codification. These bodies are spectral—lean, vulnerable, unprotected—yet simultaneously uncompromising in their presence. The photographs resist being absorbed into the dominant ...

The most “real” thing about us from the beginning is our embodiedness. What is real is felt with and through our body. Though hidden from others, the body possesses an interior that is socially invisible. It continues to be evident to oneself with vivid intensity. It’s not about food. The ...

My name is Windy Vherman, and I am a strong female character.Throughout my career, I have consistently excelled in my field.I’m charming, attractive, funny, and pleasant—a powerful combination that has helped me survive.I have shown only a small part of myself by embracing various female and feminine (and sometimes masculine) ...

In Standing Nudes, I explore the intersections of life and identity, often where they feel most uncertain or unsettled. Through light and shadow, I try to hold onto moments that feel both immediate and fragile, aware of how quickly everything slips away. Each image reflects, for me, the tension between ...